Manunzio


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NO WORD


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No Word

“For me, the term “professional photographer” is cringe-worthy. I dislike the idea that just because I am paid to do something it infers that I have talent. I know this is not true. There are many, many talented amateur photographers out there who have a wonderful way of seeing and know how to turn that vision into great photographs. There are also many “professional” photographers whose work is boring, derivative and soulless. My self-esteem does not come from being paid, but from creating work that touches others. While I acknowledge that the term “professional photographer” is a convenient shorthand is still bothers me deeply and always has.
While it takes a lot of guts, discipline and a “bit of crazy” to build a career in photography it does not mean you have the ability to touch another’s souls with your pictures. That magic is rare and comes from somewhere that is independent of a paycheck.
Do me a favor: next time you introduce a “professional photographer,” try saying “talented” instead. It will spread a bit of joy on a photographer’s day, which might just help them create a bit of magic, beauty and love…”

“In verità vi dico: ogni volta che avete fatto queste cose a uno solo di questi più piccoli, l'avete fatto a me” Matteo 25, 40


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NO WORD

17-10-2019 14:33

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27-04-2019 18:17

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25-03-2019 11:31

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NO WORD Quando tutto è "spettacolo" e si è già scritto


Man
Fotografo sin dal 1969

14-12-2018 14:10

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NO WORD
La nueva tendencia: ensenar el culo mientras disfrutamos del paisaje

Uno nessuno e centomila



Abstract
Sometimes images “speaking” like the posters in front me while I walk route (I think my town a bit microcosm but I will wrote later). So advertising: the first is a tiny chocolate (young black woman) happy and smiling she burst with enjoy. Second poster a Nordic woman out females essence with an ear of wheat (symbol of life) in hand and the eyes expressionless: a subtle mind no word


Luoghi & abusi, si a volte le immagini valgono molte parole, come il cartello che mi scorre davanti mentre cammino a piedi e qui sotto casa (sorta di microcosmo poi un'altra volta ne diremo e mostremo) con due donne manifeste: una cioccolatina festante che sprizza dai pori la fertilità sottesa, e l'altra nordica spenta come essenza del femmineo. E con una spiga di grano (vita) in mano davanti gli occhi da rigor mortis, decisamente reclinate: per chi intende
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