© archive manunzio
Excalibur...
That a great piece of narrative...a day an little sketch of the water fountain—where a certain acquaintance, a hunter and off-roader, stops at a spring to quench his thirst, not before having left his little camera on the stone edge of the fountain, I not remembering if it was a classic cell-phone for taking pictures or one of those pocketable "creatures," a Point&Shot let us say, and long story short, his reminder slips into the fountain pool end of the story. Everything he had stored (once upon a time, a memory of life, there was the "Time-machine" and called the family album that tiny printed images went... ) glu glu glu. Lost everything. But that is normal in a World where zombies are de facto walking corpses.
continue...
To close the curtain of the little sketch and return to the image, truth be told, when seen in person (the screen returns the rigor mortis of minchia-pixelations and that is it), understood as a print, it shows those details that the backlighting of the monitor will never let you see: smooth, tranquil as a tombstone.
Briefly, on the left image above, a touch of saturation due to trusting (and not badly) the automatic pilot of the Canon PRO-200 with a dye ink base. Conversely, on the right, a more "exact" representation; in practice, since Ilford Perla was used (just like on the left) along with its ICC profile, the tonal balance remains okay, professional. But turn it how you will, that automatic one on the left has a certain extra strength to it because of the chromatic saturation tout court: in short, I do not dislike it. But, here too, the left is a bit more "dreamed," which is the sensation inside the head of the writer. We are keeping them both, complete with a note written on the back (it makes no science without retaining what has been understood... of the Excellent Dante). Meditate on that. Sic transit gloria mundi.
NB. Screens and monitors cannot perfectly capture or display reality, as they are restricted by color depth, pixel resolution, and contrast. The differences are especially notable when comparing digital image files to what the human eye perceives in three dimensions. The image above is a "simulate" of real view, . 
