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First and foremost, here and now—of a pretty decent September, just a few degrees cooler, which is better.
Ok the image in cover side, yeah, exactly: imagining the scene as a film frame rather than a still photo. Let me explain. Photography does indeed involve thinking before you click, barring lucky breaks, of course. But here it’s different.
Yeah, if I go back, well, nobody films and then writes the scene—in fact, it’s the exact opposite if, I repeat, we’re in a movie with film or “minchiapixel” (a Sicilian slang term for “dick" & " pixels” . A neologism by Manunzio, off-base and even off-key: you can tell!). Oh, citizens out there: wake up! You always have to spell everything out for grown-ups—ugh, just like in *The Little Prince*. Eh. Here, it’s the AI that had fun creating an image based on my own “input” input, just to see what kind of effect it would have, à la Jannacci (italian singer and much other) of yesteryear. And the result, to be honest, isn’t bad at all if I post it here. Black-and-white text (my input) and a black-and-white image (from AI): nothing more, nothing less—I’ll keep it to myself… well, on the Diary…

P.S. Just as the text has no space-time coordinates—which, according to Einstein Teory, is the same thing or two for the price of one (as the supermarket says)—the image, too, is a “transfiguration” of a non-place to proceed, which is what’s needed outside of “cause and effect.”
First of all, an image still possible here and now of a pretty decent September, just a few degrees cooler, which is better.


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