Manunzio



Since year 1969 I spent, after each photo shot, a large part of time in darkroom between photographic enlargers Durst and silver halide emulsion: Ferrania (italian brand) and Agfa (german brand) Kodak and Ilford the smooth baryta Galerie a paper full nuance of black and white.

Nevertheless early years 2000 the darkroom became "lightroom" so that allowed me printing digital almost everything media papers. Although all papers that I printing (I think there isn't a multipurpose support valid for everything, but the one that time to time confers sensations in accordance of shot image) undergoes a long series of tests before the final printing which concerns not only its conservation, stability and usability over time (of course nothing is everlasting) but also and above all how the various papers brands "translate" a quibit of emotions from the shot at paper.

At end, so at, last ten years I used many papers brand as, for instance, some for aquarelle technique: Canson Montval, Arches, Fabriano Rosaspina, and the Washi Japanese Awagami; all papers experimented for excellent, aesthetic and certified durability, thanks to a my particular treaitement.





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